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conrad-johnson
For audiophiles who refuse to compromise the quality of their dedicated two-channel separates, integrating multichannel home theater with a traditional hi-fi setup has long been a logistical challenge. Sharing the front left and right speakers between a two-channel preamp and a surround processor is a particularly difficult problem, since most amplifiers do not accept more than one input per channel-and introducing a sonically degrading switch in the signal path would defeat the purist ideal.
An increasingly common solution adopted by today's high-end two-channel preamp manufacturers such as conrad-johnson is the inclusion of a dedicated "unity gain" input for the front channels from a surround processor-the signal path for that input bypasses the preamps volume (gain) control, insuring that the surround processor retains properly calibrated output levels among all channels. Taking the integration goal a step further, the latest preamplifier designs from conrad-johnson improve on the unity gain concept, augmenting it with a secondary "Theater Output" that also allows two-channel sources to be fed to the surround processor.
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With this connection method, the purist front channel signals can be enhanced with surround processing in the center and surround speakers, using the Hafler-type surround modes found in many surround processors and preamps (including conrad-johnson's recently acquired subsidiary, McCormack Audio (see page 3). The secondary Theater Output path is protected against potentially speaker-damaging feedback loops that can occur if the units are inadvertently set to use each other as their input source. One of the newest c-j products to implement this capability is the $2,000 PV-14L tubed linestage preamplifier, which replaces the PV-12L in the company's lineup.
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The acclaimed design introduced in the $16,000 conrad-johnson Anniversary Reference Triode (ART) preamplifier (shown in last year's SMR CES Report) continues to find its way into the company's lower-priced Premier Line offerings (which also include the full surround pre/pro integration capabilities described above). At $4,495, the Premier 17LS shown here is c-j's most affordable ART-based offering. The line also includes the ART-based Premier 16 ($8,295), and the entry level Premier 18 which implements an alternative solid-state design.
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After Bill Conrad and Lew Johnson marked their partnership's 20-year anniversary with the ART preamplifier, they turned their attention to developing a matching statement power amplifier. The Grand Anniversary Triode (GAT) monoblock amplifier, first glimpsed on the drawing board at last year's CES, is now on display in prototype form. A 300B triode-based design, the GAT implements a new topology designed to overcome the traditional limitations of single-ended triode (SET) amplifiers such as low power output and uneven frequency response. The GAT marries the SET amplifier to a high-current buffer stage, to achieve a flat response and projected output rating of at least 800 watts. Due out this Fall, the GAT will command an anticipated price of $36,000/pair. As with the ART, production will be limited to 250 pairs. |
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WAVAC Audio Lab
The GAT is by no means the priciest product in its class, however. In the world of high-end audio, there is no such thing as a price ceiling. Case in point: the Model HE-833 Directly Headed Triode Single Ended Power Amplifier from Japan's WAVAC Audio Lab, at $47,500 apiece. Delivering 100 watts per channel, a pair of these beauties sounded wonderful driving the new high-efficiency dB-99 loudspeakers in the Von Schweikert Audio suite. []
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